(l to r) Tyrone Mitchell Henderson (Lucien) and Tim Kang (Ray) in Julia Cho’s Aubergine at Berkeley Rep. Photo courtesy of kevinberne.com
aubergine opens with a single character, Diane (Safiya Fredericks), on a bare stage. Her appearance, and her monologue, could represent the next two hours: lean, contemplative, and full of food and familial relationships.
Ray (Tim Kang) is a chef whose relationship with his immigrant father (Sab Shimono) could be described as strained at best. But now his father is dying, and Ray is his primary caregiver.
Cheryl L Davis backstage at Bridges. Photo by Paul Chinn, provided by the Berkeley Playhouse
Arts in Color recently had the opportunity to interview multi-talented playwright, librettist, lyricist, and screenwriter Cheryl L Davis, who impressively balances her day job as a partner in a law firm with her award-winning writing career. In 2005, she won the prestigious Kleban Prize in Musical Theater for her work as a librettist. The same year, her musical Barnstormer was recognized with a Jonathan Larson Performing Arts Award via the The Lark Play Development Center. More recently, a 2014 production of her play Maid’s Door was recognized with 7 Vivian Robinson/AUDELCO “VIV” Recognition Awards for Excellence in Black Theatre, including Best Playwright and Dramatic Production of the Year.
Francine Williams (Janelle Lasalle) marches for freedom on Bloody Sunday in 1965 Selma, Alabama. Photo by Ben Krantz Studio.
From now until March 6th, the Berkeley Playhouse is presenting the world premiere of Bridges, a musical by librettist Cheryl L. Davis and composer Douglas J. Cohen. Bridges is set in 1965 in Alabama during the Selma to Montgomery marches and in 2008 in the Bay Area, during a seminal election when Proposition 8 (making same-sex marriage illegal) was on the ballot and Barack Obama was in a race to become our nation’s first African American—and first biracial— president.
Playwright Dominique Morisseau and Tony® and Obie Award winning actor and director Ruben Santiago-Hudson team up with Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) to present the world premiere of Morisseau’s play Skeleton Crew.
(l to r) Bernard White (Amir), Nisi Sturgis (Emily), Zakiya Young (Jory), and J. Anthony Crane (Isaac) in Ayad Akhtar’s Disgraced, an engrossing and combustible drama that probes the complexity of identity, at Berkeley Rep. Photo credit: Liz Lauren
It seems Pakistani-American Amir Kapoor (Bernard White) is living the American Dream. He has an Upper East Side apartment complete with a balcony; a beautiful, blonde, artist wife Emily (Nisi Sturgis); and he is poised to make partner at his corporate law firm. But one New York Times story, and an explosive dinner party with his co-worker Jory (Zakiya Young) and her husband Isaac (J. Anthony Crane) threatens to shatter everything that he has worked for.
Checkers Rosario (Sean San Jose) and his leading lady and girlfriend, Reva Gogo (Melody Butiu) in Presenting…Monstress. Photo by Kevin Berne.
San Francisco’s A.C.T. (American Conservatory Theater) has inaugurated its new Strand Theater on Market Street with a pair of one-act plays based on the short stories of Bay Area author Lysley Tenorio. The first play, Remember the I-Hotel, begins in 1977 during the historically infamous evictions of long-time elderly residents from Manilatown’s I-Hotel. In a flashback to the 1930s the play reveals the backstory of two of these long-time residents, Vincente (played with believable magnetism by Philip Estrera) and Fortunado (played by the versatile Jomar Tagatac). The flashback introduces the pair as recent immigrants from the Philippines who meet for the first time in a San Francisco dance hall. Vicente and ‘Nado bond quickly and become the closest of companions at work, out on the town, and at home at the I-Hotel. They are inseparable until Vincente falls for the fresh from Wisconsin 18-year -old aspiring journalist Althea (Danielle Frimer), and embarks on an illegal interracial relationship with disastrous consequences.
Audacity [ôˈdasədē] NOUN: the willingness to take bold risks. Take Wings and Soar (TWAS) and New Heritage Theatre Group (NHTG) has audacity! These two theatre groups collaborated to produce an all women version of William Shakespeare’s Othello. The play was first performed in 1604 in England with the title, “The Moor of Venice.” This time the basement of the St. James church at 141st street and St. Nicholas Avenue (The Dorothy Maynor Theatre) is 17th century Venice and Cyprus. TWAS and NHTG’S 2015 version, most of the time, hits the mark that any successful production might hope for. In addition, #DiversityOnStage is apparent in this production, which is what we love to see here on Arts In Color!
Playbill used by permission. All rights reserved, Playbill Inc.
Today for Throwback Thursday, Arts in Color looks back at the 1958 Rodgers and Hammerstein musical Flower Drum Song. In reviews of the original 1958 production, Flower Drum Song was fairly criticized for perpetuating inaccurate stereotypes. Indeed, even the central conceit of the play, the picture bride, was wildly anachronistic for the 1950s. However, the production was also arguably groundbreaking for late 1950s Broadway. It was based on source material by a writer of Chinese origin (C.Y. Lee), it focused on a story-line about Asian American characters with no mediating white point-of-view character, and it featured actors of color in all except one principal role (that of nightclub owner and rival love interest Sammy Fong, played in yellow-face by Larry Blyden). Continue reading …
This weekend I made my way downtown to check out the new play at The Public Theater that everyone is buzzing about, Barbecue by Robert O’ Hara. I am happy to give this unique evening of theatre the Arts in Color seal of approval.
Barbecue is the highly anticipated new Robert O’Hara play now in previews downtown at The Public Theater. The show boasts a bevy of distinguished performers and is set to open October 8th. Arts in Color had the privilege of interviewing a Public regular, actress Heather Alicia Simms. Continue reading …
Amazing Grace, the new Broadway musical currently playing at the Nederlander Theater is a biomusical about John Newton and the story behind the famous Christian hymn published in 1779. The tale also features fictitious characters who add to the historical drama, such as Nanna. Talented Broadway newcomer Laiona Michelle plays Nanna, a vital character who…. well, let’s just have Laiona Michelle tell you. AIC writer Halle Morse caught up with Laiona to learn all about Nanna and her journey to Broadway.
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