There are so many plays about life in New York, but most of them seem to be about Manhattan or Brooklyn. Well, Theatre 167 is giving us a glimpse into the world of Queens in their latest play I Like to Be Here: Jackson Heights Revisited, or, This is a Mango where we spend a night with 21 characters in Jackson Heights. New York is the ultimate melting pot (although you’d never know it if you only saw Broadway shows), and I Like to Be Here brilliantly reflects the diversity and blending of lives in this city.
There’s a lot of theater out there to see. Sometimes it can be overwhelming. Arts in Color has narrowed the list down for you AND all the shows featured include people of color! Want to see a show and support #DiversityOnStage? We’ve got you covered. This is a new monthly series we’ll be bringing to you at the beginning of each month. Subscribe via the box in the toolbar on your right and you’ll be one of the first to know!
“Is this an Asian show?” The quick answer, absolutely not. Are there Asian actors in it? Absolutely. This new musical, which played last fall in North Haven, Maine, has made its way to the Upper East Side with one of the most diverse casts in New York. Just from the playbill, you can see that 4 out of the 10 cast members are artists of color, and not one of their tracks in the show is limited to, or specific to, their ethnicity. The beauty is, the show still works!
It’s March 1959 in South Philly and you are about to see the enigmatic Billie Holiday onstage at Emerson’s Bar and Grill. The bar is run down, but who cares? Billie’s turned her life around and you want a chance to see the star back on the circuit!
OK, so technically you’re really at the Circle in the Square Theater in midtown Manhattan, but with the ambiance of this stunning production starring Audra McDonald, you will be taken to another time and place. The setting is of time as equally turbulent historically as it is personally for that of the show’s main character, Billie Holiday.
Read on to learn about what’s in store for you as Bille (Audra) performs one of the last show’s of her life before her death, a few months later, in July of 1959.
All the passion and romance you’d expect to see from Romeo & Juliet, but with a bit more pizzazz! Under the inspired direction of Justin Emeka, a diverse cast of wonderfully talented actors capitalize on bringing ‘ethnic realness’ to this well known Shakespeare tragedy. Emeka’s modernizing concept works beautifully and is especially relevant for today’s audience!
This week we’re taking it way back to 1939 for THROWBACK THURSDAY with The Hot Mikado, an all black cast adaptation of Gilbert and Sullivan’s The Mikado. Starring the iconic Bill “Bojangles” Robinson, the original Broadway production hit the stage at the Broadhurst Theatre on March 23rd, 1939 with a total of 85 performances. The musical set in Japan features a comedic story of lovers kept apart, crazy laws, resistance to forced execution, and imposing royals. It’s quite the comedy of errors. While Gilbert and Sullivan gave an operatic version of the story, The Hot Mikado gave it a jazzy flavor.
Telly Leung. Name sound familiar? Well if not, it should be! Telly is an absolutely phenomenal performer of color who has been featured on Glee as Wes, a bevy of shows on Broadway (Godspell, Flower Drum Song) and regionally at Music Circus, PCLO and numerous others.
He is a Caregie Mellon University alum and is currently playing the role of the Teen Angel in Papermill’s popular production of Grease!
Keep reading for my exclusive audio interview with the Broadway and TV star!
This week’s THROWBACK THURSDAY is taking a look at the 6 time Tony award winning musical Dreamgirls. Many of you may be very familiar with the film that came out in 2006 starring Jennifer Hudson, Jamie Foxx, Beyonce, Eddie Murphy, and Anika Noni Rose, but how much do you know about the stage production? The musical, spanning the 60s and 70s, follows the highs and lows of a Chicago girl group called “The Dreams.” With music by Henry Kreiger and book and lyrics by Tom Eyen, the original production of Dreamgirls came to Broadway in 1981 at the Imperial Theater and went on to be nominated for 13 Tony awards that year!
Yangtze Repertory Theatre of America was founded in 1992 and has become New York’s most significant entry point for dramatic works by Asian artists. Friday night I travelled to NYC’s East Village to see their latest production, “The Story of Yu-Huan” presented by Theatre for the New City. Written and directed by the theatre’s Artistic Director of 22 years Joanna Chan, “The Story of Yu-Huan” centers on a woman born of royal lineage during the Tang Dynasty who trained as an artist. The play tells the story of her remarkable life and the tragic death that marked the end of 130 years of unprecedented prosperity in the Middle Kingdom. Continue reading
From the opening music and lights of “After Midnight,” I felt that something magical was about to happen. At that moment, I surveyed my surroundings and realized how proud to be a part of the theater community and reflected on the fact that during the height of the Cotton Club’s glory, Black people were not even allowed to enter the venue as patrons.
The Black performers, had to enter through the back door of the night club and were often relegated to restrictions their white counterparts were free to enjoy. However, thankfully much has changed in this regard.
The show originally stars Dule Hill ( from USA Network’s “Psych”) and American Idol alum Fantasia Barrino with direction and choreography by Warren Carlyle (Hugh Jackman: back on Broadway). It’s no surprise that the show garnered seven Tony nominations and a win on Sunday!
There are so many stories about African-Americans in the United States that have yet to be told that I always look forward to learning something new. Though this play is not about actual people, it is rooted in a lot of truth. The Girls of Summer is a play about a fictitious all women’s baseball team in Chicago in the 1940’s. These women are Black. Although Black women did play in the Negro Leagues, they would not have been allowed to play in The All-American Girls Baseball League, which was made of all White players.
I cannot say that I have ever seen a play about the medical world from the perspective of the operating table. That is, until now. At the HERE Arts Center’s MainStage, I saw a double-header of two evocative, short medical plays set during two major wars in our world’s history. We are transplanted to the Civil War in Sawbones, then we journey on to WWII in Germany in The Diamond Eater. Both plays were written by Carrie Robbins and, I was shocked by this, based on true stories by RD Robbins MD.