Isfahan Blues is set up in flashbacks. Aging Iranian film star Bella (Vida Ghahremani) has conjured up musician Ray Hamilton (L. Peter Callender), to regale her with tales of the 24 hours they spent together in Iran in 1963.
Artistic Asians Runs on Shorts (AAROS) is the inaugural showcase for works created by a collaborative collective of Asian and Asian American artists in New York City. Taking place at the architecturally gorgeous former firehouse on 87th Lafayette St. in Manhattan, the May 16th event brings together performances, videos, and exhibitions from actors, directors, dancers, filmmakers, musicians, and visual artists. Featured works include Caroline Shin’s delightful YouTube series in which local grandmothers are interviewed while cooking traditional dishes and a unique musical art installation from James Wu in which the sound of a violin interweaves with recordings of NYC subways. AAROS founder Heesuk Chae spoke with Arts in Color about the inspiration behind the collective, the upcoming showcase, and her hopes for the project’s future. Continue reading
In the first act of Don Nguyen’s new Vietnam-set play Red Flamboyant, feisty and unrepentantly forthright know-it-all Mrs Sau (Karen Huie) compares her young landlord, fellow HIV/AIDS sufferer Mrs. Hue (Nancy Sun), to a jackdaw. A jackdaw, Mrs. Sau informs Mrs. Hue in a voice dripping with judgment, is a type of crow that lives its life silently but lets out a scream before it dies. It is a pointed accusation, coming from a woman who is proud she supported American soldiers during the Vietnam war; she may have lost, but she fought. Continue reading
Head of Passes is the place at the southernmost tip of Louisiana where the mouth of the Mississippi River branches off into the Gulf of Mexico. It is remote and unpredictable, making it an apt setting for this emotional play about faith and family.
Nirbhaya, we are told at the beginning of this play, means fearless. It was a pseudonym given by the Indian press to Jyoti Singh Pandey, a bright, ambitious, 23-year-old physiotherapy intern, who, on the night of December 16th in 2012, boarded a private New Delhi bus to return home to her parents after attending a movie. She never made it back.
Hello spring! It’s been rough, but we made it through winter and now we are all ready to welcome the sunny blue skies that April will bring. While you’re taking in a little Vitamin D from Mother Nature, why not check out the diversity that theatre has to offer? Continue reading
The poetic new play Comida de Puta (F%&king Lousy Food) is a magic, media, and rhythm-infused retelling of the Greek myth Phaedra set in the present-day, gentrifying Bronx. Continue reading
Playwright Tracey Scott Wilson (The Good Negro, The Story) returns to The Public with BUZZER, a three character drama.
Jackson (Grantham Coleman), an upwardly mobile black attorney, has just bought an apartment in a transitioning neighborhood in Brooklyn. He sees the potential of his old neighborhood, as does his white girlfriend Suzy (Tessa Ferrer), at first. When Jackson’s childhood friend Don (Michael Stahl-David) leaves rehab to crash with them, the trio quickly becomes trapped between the tensions inside their own home and the dangers that may lurk outside.
The Liquid Plain runs until March 29th at the Signature Theatre. Set on the docks of late 18th century Rhode Island and based on the tales of true events, the narrative centers around runaway slaves Adjua and Dembi. Winner of the 2012 Horton Foote Prize for Promising New American Play, The Liquid Plain brings to life a group of people whose stories have been erased from history. Ito Aghayere portrays one of those people, Dembi, in this play.
Ito is absolutely brilliant in the role of Dembi. Her portrayal of the cross dressing runaway slave is truly transcendent. Continue reading
This weekend I saw The Liquid Plain, a play by Naomi Wallace, at the Signature Theatre Off-Broadway. After attending an inspiring talk with the director, Kwame Kwei-Armah, I was eager to see this piece. Complex and thought provoking, The Liquid Plain offers a narrative based on true events. Billed as a story about 2 runaway slaves, Adjua and Dembi, on the docks of late 18th century Rhode Island, the play offers polished performances and high production values. Continue reading
The Church of Why Not is a new play exploring the Upper West Side and The Church of St. Paul & St. Andrew. Here Methodists, Ethiopian Evangelicals, Conservative Jews, and LGBT Christian Latinos share space with recovery programs, tutoring, activist organizations, a homeless shelter, a youth band, Pilates classes and a food pantry that feeds thousands of people.