THOUGHTS: Monstress at A.C.T.

Checkers Rosario (Sean San Jose), a horror film screenwriter, and his leading lady and girlfriend, Reva Gogo (Melody Butiu), plan their next film in Presenting...the Monstress!, a one-act play by Sean San Jose adapted from Monstress, Lysley Tenorio's collection of short stories. Monstress is performing at A.C.T.'s Strand Theater through November 22, 2015. Photo by Kevin Berne.

Checkers Rosario (Sean San Jose) and his leading lady and girlfriend, Reva Gogo (Melody Butiu) in Presenting…Monstress. Photo by Kevin Berne.

San Francisco’s A.C.T. (American Conservatory Theater) has inaugurated its new Strand Theater on Market Street with a pair of one-act plays based on the short stories of Bay Area author Lysley Tenorio. The first play, Remember the I-Hotel, begins in 1977 during the historically infamous evictions of long-time elderly residents from Manilatown’s I-Hotel. In a flashback to the 1930s the play reveals the backstory of two of these long-time residents, Vincente (played with believable magnetism by Philip Estrera) and Fortunado (played by the versatile Jomar Tagatac). The flashback introduces the pair as recent immigrants from the Philippines who meet for the first time in a San Francisco dance hall. Vicente and ‘Nado bond quickly and become the closest of companions at work, out on the town, and at home at the I-Hotel. They are inseparable until Vincente falls for the fresh from Wisconsin 18-year -old aspiring journalist Althea (Danielle Frimer), and embarks on an illegal interracial relationship with disastrous consequences.

Continue reading

News: Playing Jewish at the National Asian American Theatre Company

Stephen Brown-Fried, Lisa Silberman Brenner, Mia Katigbak, and William Finn (left to right)/ photo credit: Peter Kim

Stephen Brown-Fried, Lisa Silberman Brenner, Mia Katigbak, and William Finn (left to right)/ photo credit: Peter Kim

Theatre scholar Lisa Silberman Brenner began the Public Theater’s June 8th panel discussion Playing Jewish at the National Asian American Theatre Company with the following provocations:

  • According to an Asian American Performers Action Coalition analysis, from 2006 onwards the percentage of Asian American actors performing in Broadway or major non-profit off-Broadway productions has ranged from 1% to 4% (an all time high, never repeated).
  • Of all ethnic minorities, actors of Asian descent are least likely to play roles not defined by race
  • Twenty percent of approximately 6 million Jewish Americans are non-Caucasian.

These statistics informed a lively discussion about issues of ethnicity and representation in the theatre as they intersect with and inform the National Asian American Theatre Company’s upcoming all Asian-American production of Clifford Odets’ Awake and Sing!, a play about a three-generation Jewish American family set during the Great Depression. Continue reading

THOUGHTS: The Story of Yu-Huan

Ashley Liang as the title character in "The Story of Yu-Huan"

Ashley Liang as the title character in “The Story of Yu-Huan”

Yangtze Repertory Theatre of America was founded in 1992 and has become New York’s most significant entry point for dramatic works by Asian artists. Friday night I travelled to NYC’s East Village to see their latest production, “The Story of Yu-Huan” presented by Theatre for the New City. Written and directed by the theatre’s Artistic Director of 22 years Joanna Chan, “The Story of Yu-Huan” centers on a woman born of royal lineage during the Tang Dynasty who trained as an artist. The play tells the story of her remarkable life and the tragic death that marked the end of 130 years of unprecedented prosperity in the Middle Kingdom. Continue reading

RESOURCE: Rising Circle Theater Collective’s Q Up

risingcircleIf you are an Asian American, South Asian or Indo Carribean teenage girl interested in theatre we’ve got a cool opportunity for you!

Rising Circle Theater Collective, is having a Theatre workshop for Asian American, South Asian and Indo Carribean teenage girls! The workshop is especially geared towards Empowerment – creating new works and nurturing new voices through movement, theater and improv. One of the best parts? It’s FREE! Keep reading for more details, including access to the application.

Continue reading