THOUGHTS: Bridges at the Berkeley Playhouse

A fearful Francine Williams (Janelle Lasalle) marches for freedom on Bloody Sunday in Berkeley Playhouse's World Premiere production of Bridges: A New Musical directed by Karen Altree Piemme, performing at the Julia Morgan Theater, Now – March 6, 2016. Photo by Ben Krantz Studio.

Francine Williams (Janelle Lasalle) marches for freedom on Bloody Sunday in 1965 Selma, Alabama. Photo by Ben Krantz Studio.

From now until March 6th, the Berkeley Playhouse is presenting the world premiere of Bridges, a musical by librettist Cheryl L. Davis and composer Douglas J. Cohen. Bridges is set in 1965 in Alabama during the Selma to Montgomery marches and in 2008 in the Bay Area, during a seminal election when Proposition 8 (making same-sex marriage illegal) was on the ballot and Barack Obama was in a race to become our nation’s first African American—and first biracial— president.

Continue reading

THOUGHTS: Choir Boy

Choir Boy Ensemble

Pharus (Jelani Alladin), Junior (Rotimi Agbabiaka), David (Forest Van Dyke), Bobby (Dimitri Woods) and AJ (Jaysen Wright) performing. Photo credit: Kevin Berne

It seems fitting to see a play that deals homosexuality on the day the US Supreme Court ruled in favor of gay marriage. Like Loving v. Virginia almost a half-century ago, Obergefell v. Hodge is poised to change history.

Tarell Alvin McCraney originally debuted Choir Boy in September 2012, but with the Supreme Court decision and the recent attacks on African-American congregations in the South, it feels like it was written specifically for the audience of June 2015.

Continue reading

THOUGHTS: Isfahan Blues

Vida Ghahremani and L. Peter Callender Photo Credit: Pak Han

Vida Ghahremani and L. Peter Callender
Photo Credit: Pak Han

Isfahan Blues is set up in flashbacks. Aging Iranian film star Bella (Vida Ghahremani) has conjured up musician Ray Hamilton (L. Peter Callender), to regale her with tales of the 24 hours they spent together in Iran in 1963.

Continue reading