THOUGHTS: ‘all of what you love and none of what you hate’ at San Francisco Playhouse

Teen and baby

Girl A (Britney Frazier) cares for a newborn baby
Photo Credit: Kevin Levin

Scholars call the era we live in now “the information age.” The digital revolution gave rise to a way of life that involves near constant immersion in a mediated world and its associated messaging. It is a world in which we can ask a question and get thousands of answers in seconds, but still have no real sense of which of those answers is correct. It’s a world in which self-presentation and social communication are tied to soundbyte advertising profiles. All of what you love and none of what you hate is very much a product of the information age. Characters introduce themselves through their Internet dating site profile answers or a laundry list of their Facebook likes. Friends appear on stage together yet only communicate though cellphones. Google searches are projected on large screens. At the same time, the play is pure theatre, exploring human experience and human emotion through physical movement and face-to-face interpersonal interaction as it tells the story of a 15-year old girl navigating the first few hours after seeing a blue plus appear on a home pregnancy test. Continue reading

THOUGHTS: Choir Boy

Choir Boy Ensemble

Pharus (Jelani Alladin), Junior (Rotimi Agbabiaka), David (Forest Van Dyke), Bobby (Dimitri Woods) and AJ (Jaysen Wright) performing. Photo credit: Kevin Berne

It seems fitting to see a play that deals homosexuality on the day the US Supreme Court ruled in favor of gay marriage. Like Loving v. Virginia almost a half-century ago, Obergefell v. Hodge is poised to change history.

Tarell Alvin McCraney originally debuted Choir Boy in September 2012, but with the Supreme Court decision and the recent attacks on African-American congregations in the South, it feels like it was written specifically for the audience of June 2015.

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